Rollo May

The Courage to Create

“We express our being by creating.”

Rollo May (1909 – 1994) was an American existential psychologist which essentially means he practised a philosophical method of therapy based on understandings of existence. May’s 1975 work, The Courage to Create, is a seminal study of the debilitating aspects of fear and the self-fulfilment of the creative life.

The greatness of a poem or a painting is not that it portrays the thing observed or experienced, but that it portrays the artist’s or the poet’s vision cued off by his encounter with the reality. Hence the poem or the painting is unique, original, never to be duplicated.

On the limits of creativity, Rollo argues it requires an abandonment of process, habits, even society itself. Consequently, this rebellion brings conflicting results like disorientation even alienation, what thespian Anna Deavere Smith called “an excruciating sense of aloneness.”

The self is made up, on its growing edge, of the models, forms, metaphors, myths, and all other kinds of psychic content which give it direction in ts self-creation. This is a process that goes on continuously.

Max Jacquard’s “Brick Man”, 2002. According to the artist, the glass figure signifies the fragile, isolated and constructed semblance of the artist ego. Learn more. Photograph by Ellen Vrana.

Disorienting acts not only develop the self, they function as the beginning points of the creative process, “for the creative act arises out of the struggle of human beings with and against that which limits them.”

Creative writing teacher Dorothea Brande believed similarly that distraction and tension can reinforce each other to spark ideas and, like May, that understanding our plentiful fears is the first move of dismantling them.

At such times we face the danger of losing our orientation, the danger of complete isolation. Will we lose our accepted language, which makes communication possible in a shared world? Will we lose the boundaries that enable us to orient ourselves to what we call reality?

May also promotes a balance between work, rest, and play as well as noting that our emotional well-being influences thinking, a thought echoed by choreographer Twyla Tharp who creates a space of nurturing warmth in which to work. May’s wisdom has inspired many, many creatives and is critical to anyone who longs to “express their being.”

On the totality of creative alienation, read Vincent van Gogh’s letters to his beloved brother. Additionally, Steinbeck’s Working Days of is a fiercely honest account of how shattered emotional well-being affects the creative mind.