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Doris Lessing on Our Inimitable Human Companions and How to Cross That Which Separates Us

"I sit down to be with him, slowing myself down, getting rid of fret and urgency. He subtly lets me know he understands I am trying to reach him, reach cat, essence of cat. Human and cat, we try to transcend what separates us."

By Ellen Vrana

Is it a cruel irony that Doris Lessing (October 22, 1919 –November 17, 2013), a woman who famously abandoned her own young children for fear of a life trapped in motherhood, was to spend her life caring for cats?   Although she did not raise the two children from her first marriage, Lessing did move to London in 1949 with her third child from a second marriage. On the affairs of the older children Lessing is quoted: "For a long time I felt I had done a very brave thing. There is nothing more boring for an intelligent woman than to spend endless amounts of time with small children. I felt I wasn't the best person to bring them up. I would have ended up an alcoholic or a frustrated intellectual like my mother."

Photograph of Doris Lessing and her cat, 1950-xs. Featured in Doris Lessing's  Doris Lessing and friend, 1950.

Or perhaps it is a gift that this woman, this Nobel Prize–winning author who so understood humans at their most complex levels, could apply the same insight to cats.

Oh cat; I'd say, or pray: be-oootiful cat! Delicious cat! Exquisite cat! Satiny cat! Cat like a soft owl, cat with paws like moths, jeweled cat, miraculous cat! Cat, cat, cat, cat.

She would ignore me at first; then turn her head, silkily arrogant, and half close her eyes for each praise-name, each one separately. And, when I'd finished, yawn, deliberate, foppish, showing an ice-cream pink mouth and curled pink tongue.

On Cats is a collection of various essays Lessing wrote on cats. Her cats. Her varied, wonderful, lifetime collection of cats.

From the swarm of feral-turned-domestic cats that grew out of hand on her childhood farm to a few particular sorts she housed in London, there have always been cats in Lessing's life.

As George Mikes so trenchantly observed in his classic satire, How to Be A Brit, the English, and their pets have a particular relationship. There is a deep, abiding, selfless love. Owning pets makes parents of us all—perhaps why we are so devoted to it.

On the day of the birth, she was in labour for three hours or so before she knew it. She miaowed sounding surprised, sitting on the kitchen floor, and when I ordered her upstairs to the cupboard she went. She did not stay there...

I took her up, and made her stay in the cupboard. She did not want to. She simply did not have any of the expected reactions. In fact, she was touching, absurd—and funny, and we wanted to laugh. When the contractions grew strong, she was cross. When she had bad pain towards the end, she miaowed but it was a protesting annoyed miaow. She was annoyed with us who concurred with this process inflicted on her.
Morse at home, used in  Morse.

In his masterful collection of feline-inspired verse, T. S. Eliot claimed that all cats had three names—one for the humans, one for the stature, and one that only the cat knows.   Indeed, as any cat owner will attest, so much of cat is withheld, kept safe, extended only when they feel utterly at ease. The acknowledgement of love from a cat is an extraordinary thing. As Lessing writes, it is a luxury. I could talk for years on cats. Years. To earn a love of a cat, is there anything better?

In On Cats, Lessing seems to oblige the cats in their naming. Despite tremendous personality, Grey Cat is, nonetheless, a grey cat. She also owned an El Magnifico and my favorite, Rufus the Survivor, a stray that came to love and be loved.

The hot weather ended, and it began to rain. The orange cat stood out in the rain on the balcony, his fur streaked ark with running water and looked at me. I opened the kitchen door and he came in. I said to him, he could use this chair, but only this chair; this was his chair, and he must not ask for more. He climbed on to the chair and lay down and looked steadily at me. He had the air of one who knows he must make the most of what Fate offers before it is withdrawn.
Barbara Hepworth and cat, Nicholson Barbara Hepworth with her cat Nicholas and "Curved Reclining Form," 1961. Photograph by Ida Kar. © National Portrait Gallery, London.

In the storytelling, Lessing doesn't stray far from the cats, their antics, habits, births, deaths, and ultimately strategies for life. But underwriting all of these intimate portraits is someone who, like many pet owners, seeks to cross the divide of language and experience to commune with cat.

I sit down to be with him, it means slowing myself down, getting rid of the fret and urgency. Human and cat, we try to transcend what separates us.
Lewis-xs. Featured in Doris Lessing's  Lewis.

Like Eliot, who believed cats have a language to themselves, a name they never reveal, Lessing wrote: "All people who live with animals have moments when they long to share a language."

Crossing that divide of understanding is one of the great human endeavors, whether we seek a key to life, to the unknowable divine, or simply long to commune with things that warm us on cold nights and return to us from afar.   For more on this pressing need to commune across species turn to the work of primatologist Frans de Waal, a pioneer in the field of understanding animal language and intelligence and how we might just lack the mental capacity to understand the mental life of animals.

"Rum Tum Tugger is a Curious Cat..." Illustration by Edward Gorey.

Accompany this profoundly human study of particular cats with the new science on how pet owning makes us human or Mary Oliver's melodies of love for our most beloved companions, written in the same open-hearted language as Lessing, a language of love as pure as any.

Illustration of Doris Lessing-xs.


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